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Here Your Best Choice To Buy Nike Kobe 9 Low EM XDR Prelude,646701 300 Kobe 9 EM Darcy Regier admits the Sabres have made mistakes. Buffalo prior blueprints for Stanley Cup glory featured inaccurate outlines. have tried some things, Regier said Monday. things have worked better than others. Some things have not worked very well. time, the Sabres insist they have a winning plan. Once again, they will have Regier implement it. recognize that you can look at the performance of the team, and it doesn reflect it, Regier said in First Niagara Center. reality of it is if I didn have the confidence that I in the general manager position, along with the people I work with, could accomplish building a Stanley Cup winner, I wouldn be here. don take any of this for granted in any way. I extremely grateful. Regier sat next to Black during a season ending news conference that was high on drama but low on information, the GM said no decision has been made regarding a permanent coach. Ron Rolston has held the interim title since replacing Lindy Ruff in February. and I will sit down over the next week, maybe couple of weeks, re evaluate the season and have discussions about our relationship going forward, Regier said. would add that I think he did a very good job under trying circumstances. But again, we address that down the road. also had no insight regarding the futures of Ryan Miller and Thomas Vanek. The franchise cornerstones have strongly hinted they are ready to move on. may involve both of them being here, it may involve one of them being here, it may involve none of them being here, Regier said. can only tell you that obviously they are upper echelon, top level players and can certainly be a part of a Stanley Cup team. We don know what the marketplace is going to make available. trade to watch for involves amnesty buyout candidates. Each team can get salary cap relief by buying out two players over the next two summers, and the Sabres may use owner Terry Pegula wealth on other teams unwanted players for a draft pick or prospect. can acquire a player and buy him out if somebody wants to pay you enough to do that, some other currency other than the dollars, Regier said. it happens or not, it one of the options. definitive plan involves rebuilding through the draft, which mirrors Black recent comments. To get top draft picks the team will have to finish near the bottom of the NHL. there was another alternative and if there is another alternative, we will do everything we can to find it, Regier said. of that alternative, then it may well require some patience, but the payout is what it about. have gone with more determination in a very distinct direction, which is about the Stanley Cup. So I feel good about it. I love the opportunity. I understand what we talking about here. I understand our fan base, and I would like to think that people will give up some suffering in order to win a Stanley Cup. I willing to do it. I believe our fan base is willing to do it. We certainly don want to extend it for a long period of time. We want to make it as short as possible, and that the goal. Sabres new vision for winning their first Cup came about as a collective effort, Regier said. Pegula helped form and endorse it. may require some suffering, Regier said. It a shift because generally in the National Hockey League, how you keep your job, how you keep fans happy is by getting in the playoffs, by playing a round. It not the happiest, it not the saddest, but it a level. It an acceptable level. It an acceptable standard around the league. It just not the standard here and I recognize I saying that in light of two missed playoffs. emphasis on the draft comes after failed attempts to contend through free agency and trades. The Sabres will select eighth after not winning the draft lottery Monday night Colorado won it, bumping Florida to second. His draft history has been spotty only 10 of the 22 first and second round picks between 2000 and 2009 have made NHL contributions but Black feels the GM has the tools to finish the job. Nike Kobe 9 Low EM XDR Prelude "Yeezus" has yet to officially break the 500,000 units moved mark. Meanwhile, the South Korean information technology conglomerate Samsung has already pre purchased a cool million copies of Jay Z's 12th studio album for users of Galaxy phones, who only needed to download a free "Magna Carta Holy Grail" app to access the disc beginning 72 hours before its official release at the stroke of midnight on July 3. You don't need an accountant to crunch those numbers. Whether or not the original script for this particular media drama included a subplot in which the sophomore album by J. Cole, a lesser known rap upstart signed to Jay Z's Roc Nation imprint, would give West's "Yeezus" an impressive run for its money in its first week of sales, is unclear. But, yes, thanks to a multi million dollar co branding deal between Samsung Galaxy and Jay Z industries, the age of the album as app has at last arrived. As the substance of the Samsung deal which itself appears to have been timed to cut into the buzz surrounding Apple's imminent launch of its iTunes Radio streaming service was being dissected by business experts and entertainment industry pundits, music and basketball fans were treated to a stylized, if rather enigmatic, three minute ad that first ran during game five of the NBA finals and didn't really explain very much. Shot in cool black and white, it catches an earnestly candid yet always imposing Jay Z lounging, philosophizing and, for lack of a better term, game planning in faux verit fashion in the company of a few creative collaborators who may as well be business associates. Decked out nonchalantly in a grey sweatshirt and a Brooklyn Nets baseball cap (he was a minority owner of the team until he founded his Roc Nation sports agency earlier this year and had to divest his shares), Jay Z looms over a mixing console. He looks over proofs of what appears to be artwork for the new album. And, at one crucial point, he conspicuously checks a small tablet device that seems to have lyrics scrawled across the screen, even though this is a rapper who is fairly famous for not committing his rhymes to paper of the real or virtual sort. Eventually, the words "The Next Big Thing Is Here" flash portentously, followed by Samsung Galaxy logo. The first time I saw the ad, it felt like coming in cold to a midseason episode of "Mad Men," with Jay Z as Don Draper presiding over a casually chaotic brainstorming session for the launch of a new product campaign. "We don't have any rules," Jay Z opines to nobody in particular. "That's why everyone is trying to figure it out. That's why the internet is like the wild west the wild, wild west. We need to write the new rules." There are far less qualified minds at work on drafting a new set of business guidelines for the music in dustry in the digital age, if that's what Jay Z's referring to with that little quip. And Jay Z is certainly no stranger when it comes to writing new rules. When he first emerged from Brooklyn's Bedford Stuyvesant neighborhood as a deft rapper of the gangsta persuasion in the early 1990s, he didn't bother with the then entrenched major label system; he simply took what he had learned from selling CDs on the street and created his own Roc A Fella imprint, inked a distribution deal with Def Jam and quickly worked his way to the top of the game. Once he'd established himself as New York City's King of Rap, he retired from active duty and took over as president of Def Jam in 2004. Through no extra effort on his own part, "The Grey Album" put Jay Z's name at the forefront of cutting edge music while simultaneously associating it with that of the Fab Four. Not a bad way to pretend end your career as a recording artist. Of course, it didn't take long for Jay Z to retire from retirement, which he accomplished triumphantly in 2006 with "Kingdom Come," a chart topper that, among its expected A list producers (Dr. Dre, the Neptunes, Quincy Jones) and guest artists (Jon Legend, Usher and his future wife Beyonc), also included a major cameo by Coldplay's Chris Martin. But even as he's continued to rack up platinum sales figures, Jay Z's genuine artistic talents have been eclipsed by his marketing acumen and the remarkable degree to which he's been able to successfully leverage the Jay Z brand, expanding it to include a diverse portfolio of fashion, beauty and real estate interests, as well as an upscale sports bar franchise called 40/40, and his ventures into the realm of professional sports. He's not the first entertainer or even rapper to invest his earnings elsewhere, but his successes have set a new bar for aspiring young hip hop entrepreneurs. The lucrative and forward thinking Samsung Galaxy endeavor is just his latest branding coup. If Jay Z's emergence as the defining icon for an entire era in hip hop rests as much or more on his marketing schemes and investments his branding brilliance instead of his rhymes and flow, that doesn't diminish his artistic stature or the relative quality of "Magna Carta Holy Grail." It's just that in the shadow of what he's accomplished by harnessing the steroidal capitalism of the gangsta ethos and proving his mettle as a mainstream tastemaker, his skills as a rapper, while a crucial element of the brand, seem merely modest. And, in that sense, he's got a soulmate in Kanye West, an artist whose first big break came when Jay Z took him on board as a Roc A Fella go to producer in 2001, and then helped him jumpstart his career as a rapper by giving him a verse on the 2002 track "The Bounce." (It's a bond they at least tacitly acknowledged when they joined forces on the 2011 blockbuster album "Watch the Throne.") West has proven, over his past decade as a recording artist, to be more temperamental than Jay Z, and something of a hip hop oddity in that he doesn't have a street/stage name because, well, he didn't come up on the street or the stage. He's also been a canny tastemaker himself, first building a trademark sound or production approach around messing with samples from unabashedly familiar tunes and other rap hits to craft his own hooks. It's an approach he's abandoned from time to time, only to return to, most notably on the "Yeezus" track "Blood on the Leaves," which nicks a segment from Nina Simone's version of the Billie Holiday classic "Strange Fruit." West has also deployed lush string arrangements and collaborated with gentle indie pop auteur Justin Vernon of Bon Iver, written intensely personal raps that veer from the salacious to the spiritual and, on 2008's "808s Heartbreak," taken a major left turn toward the experimental by using an Auto Tune vocal processor and Roland TR 808 drum machine to create a stripped down electro pop tour de force. "Yeezus," with its dark synth tones, jarring rhythmic shifts and distorted beats, is more of a hip hop take on what West was getting at back in 2008. But, as with Jay Z, West's artistic endeavors are at risk of being overshadowed by his extra musical activities, which have included, in no particular order, fathering a daughter with Kim Kardashian, rudely interrupting Taylor Swift during an acceptance speech for an MTV Video Music Award, calling President Bush out on his handling of Katrina, putting his stamp of approval on Nike's Air Yeezys and starting a couple of his own fashion lines. Perhaps more noteworthy has been West's strategy for marketing himself through social networking. Upset with the way the press had portrayed him, he took matters into his own hands a few years ago and began using Twitter and a blog to communicate directly and often with his followers, providing a steady stream of oddly detailed information about his day to day activities. He's not quite up to Jay Z's level in the realm of mogul dom, but West has become a fairly well branded cottage industry, which is to say he's also working on drafting a few new rules himself. Fall Arts Preview: Maier Museum's "A Menagerie of Metaphors"An elephant trudges along in the desert, plumes of dust flying off of its back, on the cover of the program for the Maier Museum of Art at Randolph College's latest exhibit.

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